|
|
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|

|
|
|
|
|
|
|
|
|
|
|
|
-
back to reviews - |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
“The
first recordings from avant-rock titans Mission of Burma
in 22 years.”
The only shit I wanna here about the band every super
arrogant know it all indie record store employee/musician
claims was so great, after 22 years, is that someone’s
dead! (Matador) |
|
|
|
|
 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
 |
|
|
|
|
|
click
to enlarge |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Before
hearing this record I wanted to hate it like Ray Cappo
hates 8-balls, but goddamn do I hate myself for liking
this even a little bit. It’s so friggin catchy
that it makes me want to murder these fuckers for sucking
me in. I don’t even want to describe the songs
or anything. Let’s just say I dig it. Now, leave
me the eff alone. (island) |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Didgitel
Warfare |
|
|
|
|
|
|
|
|
|
 |
|
|
|
|
|
click
to enlarge |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
This
record is so true Slapshot. New material, classic Slapshot.
Nuff said. (bridge 9)
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The College
Dropout |
|
|
|
|
|
|
|
|
|
 |
|
|
|
|
|
click
to enlarge |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
My
favorite hip-hop record of the year; no question. In
the beginning I too fell into the Top 40, hip-hop radio
vortex. That’s the one that sucks you in with
the single and at the end of the day that is all you’re
left with. But no, no, no…this is certainly not
the case here. Don’t dismiss Kanye because he
has dope beats. That’s only part of the formula.
Let’s not deny some the best skits since De La’s,
3 Feet High and Rising. College Dropout
tells a tale, which is something that can’t be
said about most hip-hop records out today. I’m
not a religious man by any stretch but fuck it, Jesus
Walks is not the jam. He holds his own
with Common and Talib on Get ‘Em High.
The trade offs are classic. This record is all sincere,
positive and banging at the same time. I can’t
say enough about it. (roc-a-fella)
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
 |
|
|
|
|
|
|
|
|
|
 |
|
|
|
|
 |
|
|
|
|
|
|
|
| |
|
|
|
|
 |
|
|