Reali-D:
Alright, let’s let the tape roll and at this point I
think we all know what bands you are from and I can’t
go there as everyone in every other IV has. The Rise
of Brutality tour represents to me a feeling, like
when you guys stepped out, Hatebreed, Madball, you guys, all
represent a feeling in hardcore again, that is brutal and
angry and straight up in your face again.
Scott:
My first thing is, the last couple tours we have been doing
have been with a lot of straight edge bands. This is just
like complete, you know, that’s cool you know, everyone
in Terror is Straight Edge except me, well now with Frank,
our new guitarist Frank from Ringworm, he’s
definitely far from Straight Edge. This is just like a lot
of partying, a lot of people getting crazy, everyone fucking
getting wild with women. Musically too, it’s just a
bigger production. Hatebreed has got a bus.
The venues have been great. It’s an overall step up,
the intensity, the craziness, and overall the professionalism.
We gotta be on time. We gotta be on point. We gotta get our
shit in. The shows have just been fucking great so far.
Reali-D:
Is there a theme musically that runs through most of these
bands?
Scott:
It’s just straight from the beginning of
the show to the end: angry fucking people. Brutality
from beginning to the end. No weak points, no fucking bullshit.
Every band gets on and does their half hour and its just fucking
aggressive, whether its hardcore bands or metal bands. Hatebreed
is obviously a hardcore band, but they appeal to a lot of
different people. Every band just gets up there and does their
fucking thing.
Reali-D:
Good bands to be out together. In the last year or so that
you guys have made a name for yourself there are elements
or even some themes in these bands, you, Madball, Hatebreed.
Something is going on again, a turn to the brutal again.
Scott:
You mean compared to some pussy shit that’s
been going on lately! I figure it’s an
excellent fucking theme and I’m pretty sure Jamey put
the bill together around that and he did a good job.
Reali-D:
The more brutal sound. I think we grew up at a similar time
and were exposed to the same bands around the same time. Are
there any similarities you see with like, I believe a lot
of those bands...It’s like that Reagan era hardcore,
some claim Reagan is somewhat responsible himself. I mean
I feel like kids today maybe want to turn to the more intense
heavy music like yourselves because the BUSH climate is similar
to our day. Bush Era. Reaganomics. Is there something there
as to why kids are feeling real hardcore again?
Scott:
I think through all the time I have been into
hardcore there has always been angry fucking people and angry
bands, even if the majority is watered down bullshit with
lyrics that are bullshit. I have always tried
to surround myself with things that appeal to me that I can
feel. That’s why aggressive, angry, pissed off, honest
music is always what I look for. I guess I never really looked
at it the way you are asking me, but I guess I hear what you
are saying. Times in the world are pretty ugly,
pretty dim. Some people don’t want to listen to radio
happy bullshit. They want something that they can fucking...not
ease the pain, but get through the pain.
Reali-D:
Bands you grew up on. First show.
Scott:
First show for me ever was DRI, Gang
Green, Goo Goo Dolls and Holy Terror.
After that, you know, I saw, living in Buffalo I was pretty
lucky, so I saw 7 Seconds. Right after that
Youth of Today, Warzone,
AF, all the NY bands came up there. A lot
of California bands too, Chain of Strength and
stuff like that.
Reali-D:
Japan experience. Just got back right?
Scott:
Just got back.
Reali-D:
What’s up?
Nick:
It was amazing. Best place I have ever been.
Scott:
Fucking awesome. Outside, music wise, the city was like fucking
clean. You couldn’t find a piece of garbage on the ground
anywhere. Tagging was to a minimum. We went to Tokyo and it’s
huge, people everywhere, but I would go to throw something
on the ground and I was like, “nah, I can’t
do that.” I mean just for us, we’ve been
a band for a year and a half, to go over there. It was the
first time for all of us. Shows were great. People treated
us with a lot of respect. We sold a lot of shit. Beautiful
women everywhere, it was awesome. The food...I’m vegan...the
food fucking sucked. That was the horror part.
Nick:
Small portions of everything.
Scott:
Small portions, small people, but we got nothing to complain
about because I mean fucking, that was a dream come true.
I am ready to go back. Another thing is it was only 5 days,
usually you tour for month and by the end you’re like,
“I can’t wait to go home.” After this
I was like, “We’re fucking leaving already?
I can’t believe this.” So I am ready
to do it again.
Frank
enters.
Scott:
What do you think Frank?
Frank:
I am going fishing I know that.
Reali-D:
Are they really all going? I heard Jamey talking about that.
Frank:
Yeah we are all going.
Just
then Jamey Jasta exits bus with fishing gear and crew and
they proceed to a truck and take off. I later heard the catch
was good, though the lake was quite a drive.
Reali-D:
Back to it. So question. And I don’t bring this up to
create rifts or find differences in scenes or am I trying
to start a coastal war in hardcore or put anything down, that’s
not why I ask. I have been to Waterloo, and Milwaukee, Madison,
KC and I usually find there is something cool going on where
ever I go and I think kids want to know what’s up where.
I remember being younger and kids, us, jumping in vans with
bands for road trips to shows, especially in the tri-state
area, City Gardens, the Anthrax etc. and I am not sure I see
that that much any more...
Scott:
When the Terror van ain’t being used for Terror it goes
on lots of road trips filled with us doing stupid shit.
Reali-D:
But again not to play on the differences and make positive
or negative of it, but you started on the east coast or North
East. There is a sound in Terror that I associate with hardcore
from the northeast. Boston, NY, not knowing ‘til I lived
in LA and California for a while that kids rolled that heavy
out there. I thought it was all that Orange County straight
edge or like sunny punk shit.
Scott:
One of the coolest things, when Terror started, I was fresh
to the west coast and I hear what you are saying, I had that
same thought in my mind. When I thought of California I thought
of Chain of Strength and more like Insted
straight edge. When I met Nick and walked into our first practice
ever and we started talking about music you know and I’d
be like, “What bands are you into now?”
and it was Death Threat , Madball and I was
like, “perfect.” Old stuff you know Warzone,
Breakdown and I was like, “fucking
awesome!” You know we were on the same
page and the California scene is unbelievable. The kids go
the fuck off and are happy to watch bands from start to finish.
You know I don’t want to dog out any scene, but there’s
a lot of places you go where kids are spoiled with bands.
They are fucking jaded or whatever and they don’t fucking
care and they are just there to hang out or look for girls
and get drunk, and do your thing, but....Now it’s become
second nature to me, but when I first started going to shows
in California, I was fucking floored. With how many people
came to shows, big bands or small bands. Small bands would
come through that I hardly knew and there would be tons of
kids going the fuck off. That was awesome. We are influenced
by a lot of bands on the East Coast, NY in general, but you
can hear the Chain of Strength in Terror too. That right Nick?
Nick:
Sounds good to me.
Scott
points to Freddy Madball: “And there is our biggest
influence...MAAADDDDBAAALLL! Awesome!”
Reali-D:
Here is another question and I think I do want to start some
static out there on this one. I have just noticed it start
to come up a lot lately and I am not into it. Do you consider
Hardcore and punk synonymous?
Nick
kids: Uuuggghhhhh, we are not going to answer that!
Scott:
Hardcore and punk synonymous.
Reali-D:
Am I making something of nothing here? My hardcore did not
include some of the c...rap people are throwing into it lately.
Scott:
I never...I never... I am not a punk kid. I never
have considered my self a punk kid. I have always been just
a hardcore kid. I will never say Terror is a
punk band at all. I think some bands say that and put that
tag on themselves just so they can relate to more people.
And I want to play to punk kids and I hope punk kids can,
you know, understand us and feel where we are coming from,
but I don’t put those 2 things together. There are some
things about punk that turn me off. Maybe, somewhat the look
and the attitude, and stuff like that that never really totally
appealed to me. And I am all for people doing their thing,
and if that’s what you are into and it makes you happy,
fucking cool. I think punk bands and hardcore
bands should play together and do shit together, but I don’t
think they are the same thing. I don’t
think the 2 terms go together as one.
There are lots of similarities and if there wasn’t punk
there wouldn’t be hardcore maybe? Punk and metal you
know. But I think there are a lot of differences.
Reali-D:
Studio in December?
Nick:
Most likely February.
Scott:
Looking to record in early February and have it out by the
latest July.
Reali-D:
Scott, nice voice mail.
Scott:
You like that? I think you were the first person to hear that.
Scott’s
voice mail is Warzone from the original NYHC comp Revelation:
7 1988. Caught trapped no way out...............I’m
bugging out! As ooonnneeee!
TERROR
official site
Bridge
9 official site
|