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A
sold out Sunday night at the Fireside. I just love when kids
come out of the woodwork, the suburbs, the alleys, the trains,
the Volvos, whateva. And they are crazy for that one show
they get to. Work, school, family commitments; this sucks!
‘All I know is I am going to see Hopesfall Sunday and
I am going to go fucking off!’ The kids showed up Sunday
night and there was real passion for music.
And to
all the people at the Fireside, Cheers! Always a pleasure!
Sold out, a couple hundred kids, and never a problem. Not
to mention quick, efficient set changes between bands, that
always impresses me, and keeps it moving. And then there is
the bar, which offers a little separation, and $2.50 Rolling
Rocks for us who need a break once in awhile.
Codeseven,
who I must thank for saving me a space in an otherwise sold
out situation, know how to play, although I found the first
few songs I heard painfully slow and they never seemed to
go anywhere. They have some cool influences and styles from
jazz to some real atmospheric and textural things going on,
but in their effort to prove that they have skills and to
write some deep, challenging, different music, they leave
the song behind. The song should not suffer and the continued
writing should not be at the expense of the song. Do not challenge
yourself to such an extent, that you strain what may naturally.
Musically. That's the feel I got anyway. Then the last 2 songs
I heard this wasn't the case at all. They went on to areas
I was expecting the painful songs to go to. I thought they
were fantastic. Kids seemed on the fence about Codeseven.
Although I think as they continue to grow into the band they
envision, they are on deck to be felt.
Hopesfall
hit the stage next, after, what I always feel, is a most efficient
breakdown and set up of the stage at the Fireside. Hopesfall
came out strong, as did the kids, for a band that seems to
have power, lyric, and music that kids want more of. The kids
seem like they know what Hopesfall does and is about. I noticed
a few interesting things during Hopesfall’s set that
excited me; a clap along, hands above heads, at the beginning
of like their second song, which I will get to the bottom
of, and that kids were dancing. Not circling up and looking
to _ _ _ _(the m word), but dancing. I even saw, the emergence
of a few styles kids were rocking that I liked. Remember all
the old styles? ---note to self find that SOIA video with
all those dudes we knew from a 1000 shows dancing the different
styles (Step Down)-----sorry----So kids were singing, rocking,
dancing. Jay was out in the crowd a lot and really involved
with the kids he cherishes. If this was indeed everyone’s
one show this week, or the only few hours they would enjoy
and blow off some steam this week, then they were at the right
show and the highlight was the Hopesfall set!
One Line
Drawing I always forget is Jonah from Far. God, by the way
kids sing Mother Mary, you would think Far was still around
or bigger when they were, but Jonah has reinvented that song
for a new audience, no doubt, I do not want to take away from
that. I loved Water and Solutions, I really liked Far and
I think Jonah does what he does really well. The song he started
with about a friend tagging his girlfriend is awesome. Then
he busts into something and declares,’ I’ll stay
with hate songs for $500.’ He’s confident, kids
feel him, and his time on stage has taught him how to be a
great performer, not hiding behind anything. And most importantly
his songs are good and translated yesterday at a sold out
Fireside, which may have been a perfect forum for Jonah, I
mean one Line Drawing.
Coheed & Cambria Headlined. And I must admit. I could
not. And did not. Stay.
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